
Meeting to Discuss – A poem for the Charlottetown Forum
Tanya Davis - May 2025
We’ve been here at this forum, which is by definition a place, meeting, or medium where ideas and views on a particular issue can be exchanged. I like this definition. I like the potential inherent in a forum.
I think we need more of them.
Of course, it’s not that simple or else we would be doing it already.
Forums require accessible spaces, more affordable locations, less Facebook. Though I suppose Facebook is also a forum, with its own unique standards of what constitutes decorum.
Speaking of decorum, if we’re going to host more forums we’re going to need more moderators and the means to employ them. Because surely we won’t all agree, if we’re doing forums correctly.
If we’re doing forums correctly, there will be some opposing opinions. I love an echo chamber as much as the next person, but a good forum should be discordant, in moments at least, like a bridge with an uncomfortable key change right before a crowd-pleasing chorus.
Going forward, we might want to improve our conflict resolution. More forums will bring more disagreements. We might need mediation. And since that is a complex skill (and conflict is a tense situation), we either need some good training or else we all need more patience.
And that takes time. Do we have time? For patience?!
We’re busy people, the pace of life is fast, the pace of world collapse is faster.
This is a dramatic statement or else totally accurate. Either way, we need to gather.
We need the strategies that come from putting heads together.
It’s just that… putting heads together is hard. Like literally, our heads are… hard. Maybe instead we need a symposium of hearts—something softer, something more porous.
For now, here we are, at this one particular forum having conversations that have been deemed important—pressing national issues, in fact.
And they are that. They are pressing on our health and our voices, putting pressure on our rights and our homes and our communities and our choices, pressing pause on some of our goals and accomplishments in the process.
Meanwhile, our democracy is getting caught up in the dialogue—it’s getting lost in the cacophony and so are we.
Important conversations are difficult, and noisy. Still, here we are,
working hard to have them—and that speaks volumes about our commitment to problem solving,
or our penchant for awkward small talk and circuitous dialoging.
Forums are gatherings of people—as such they are idealistic, as such they will have their flaws.
Can we fix our existential crises over coffee and cookies? Will a Q&A ever go smoothly? Can a panel solve a problem, truly?
Not exactly—but let’s keep trying anyway because the point is not conclusion.
Just as life is dynamic and always moving, democracy is a living thing and its shape is ever changing—as are we, with our shifting desires and old and new needs—we must meet to discuss them.
Here, say, at this very forum.
Right here, where many years before people gathered for their own reasons—such as the need for protection from annexation.
I guess some things change, some things remain the same.
For instance, we also would like large amounts of champagne—but we will settle for cans of Bubly. Still tasty, still effervescent.
At previous and historical meetings, people discussed a need for an island-wide train. That was a good one. It was a lot of work—so let’s not tell them that we ripped up the tracks and took the trains away.
Some change is misguided.
Our colonial desires can override care for our climate—otherwise known as our home—and now we struggle to live inside it.
We need to reconcile with our inability to reconcile. We need real talk and disruptive kindness—as in disrupt supremacy’s process—and mistrust token notions of inclusion and politeness.
Let us look closely at decision-making tables—to see who was, and who was not, invited—and then let us flip those tables over when our anger is warranted.
We can make a fire from the sad and gnarly wood. We can warm our hands with it, and then put our hands to work on something good.
Let’s go meet outside, where we are not just cerebral, head-based people, segmented into fragments and factions online.
Let’s be in the air, where it becomes clear that we are also animals—vulnerable to the weather—not separate and dominant, but tethered together and affected by all of it.
If we listen to Indigenous teachings, we might know more reciprocity and welcome the responsibility that it brings.
We are all stakeholders because we all live in this place, so we need to be accountable. This world calls us to respond.
We have to, there is a lot going on—for example, we are under coordinated attack by something known as bots.
Bots are attacking us, and we are too busy and distracted to even call them by their full names.
We are waylaid by the snail’s pace of institutions, caught up in unfulfilling but addictive algorithms, lost in a loneliness so consuming that misogyny is surging and fake news is blooming.
Fake news is old news, but YouTube is new truths, and all views are in use to call you and me to battle.
What are we battling about? It doesn’t matter.
Our power-over culture has been pitting us against each other. It’s not real, but the more we talk, the more our opinions solidify, and our divisions grow.
What if we met not to agree but to understand something? Could be the complexity of humanity. Could be what our neighbours ate for lunch. Could be where the loneliness has been coming from.
We have agency—but we can’t see the forest for the trees because the trees are blowing over in the storms. Even though the storms warned us they were coming, we didn’t listen—because we misused the funding and we trusted the wrong systems—or we neglected to see how we all belong to the same systems.
All issues connected, just like the threads of our lives—like a bridge to a chorus—like a cacophony of voices, noisy but together, even so.
It’s hard to be together though, in dialogue especially. So let’s make room for silence. Let’s make way for play. Let’s make room for dinner—how was your day?
Let’s gather for our health and our mental states, for the resilience of our communities and the struggles that we face. Let’s meet in person, where we have to confront our humanity, come up against the complexity, find the grace, find the humour, find ourselves enraged, find our way through it.
What happens at a forum’s conclusion? If we discuss enough, will we discuss ourselves out of the need to discuss?
Probably not. It is to be concluded—ongoing it remains. So let’s just say goodbye for now, until we meet again.
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Nora Young
Nora is a tech journalist and broadcaster with CBC.
Nora created and hosted Spark, a fun and informative look at new technology, exploring its impact on our relationships, our work, and our culture. She was the founding host of the CBC Radio show, Definitely not the Opera, where she often focused on new media and technology, as well as arts and popular culture. She has made documentaries and miniseries exploring a range of questions about being human in a rapidly changing world.
As a journalist, author, and speaker, Nora explores how new technology shapes the way we understand ourselves and the world around us. Her book, The Virtual Self, on the explosion of data about our behaviours, opinions, and actions, is published by McClelland and Stewart. Her favourite technology is her bicycle.
Drew Fagan
Drew Fagan is a professor at the Munk School of Global Affairs and Public Policy, University of Toronto. He also is a senior advisor at McMillan Vantage, a public affairs firm affiliated with the national business law firm McMillan LLP.
Drew previously spent 12 years in leadership positions with the Province of Ontario and the Government of Canada.
With Ontario, he was Deputy Minister of Infrastructure, with responsibility for Ontario’s long-term infrastructure plan. He was also Deputy Minister of Tourism, Culture and Sport, with responsibility for the 2015 Pan/Parapan American Games. In Ottawa, he was Assistant Deputy Minister for strategic policy and planning at the Department of Foreign Affairs and International Trade (now Global Affairs Canada).
Before becoming a public servant, he worked at The Globe and Mail, including as parliamentary bureau chief, editorial page editor, foreign editor, associate editor of Report on Business and Washington correspondent.
Dr. Paula Cashin
Dr. Paula Cashin is the first Indigenous radiologist and nuclear medicine physician in Canada. She is a Mi’kmaq physician from Newfoundland and Faculty Lead for Indigenous Health at Memorial University of Newfoundland and Labrador. Dr. Cashin is a dual FRCPC certified physician with subspecialty training in nuclear medicine at the University of British Columbia and an interventional radiology fellowship at the University of Toronto. She completed a Master of Laws (LLM) at Osgoode Hall Law School 2021. Dr. Cashin serves in national physician leadership roles as vicechair of the Canadian Medical Association (CMA) Board of
Directors, chair of the CMA Appointments Committee, board director of the CMA Foundation and a board director at the Canadian Medical Protective Association (CMPA).
Owais Lightwala
Professor, artistic producer, and tech entrepreneur
Owais Lightwala is an assistant professor at Toronto Metropolitan University, specializing in entrepreneurship, leadership, and innovation within the creative industries. He is the co-founder and CEO of Sai, a tech startup focused on transforming how creatives manage their finances, and the founding director of Chrysalis, a multidisciplinary hub at TMU. Previously, Owais was the managing director at Why Not Theatre, where he played a key role in groundbreaking projects like the RISER Project and The Mahabharata.
A recognized leader in the Canadian arts community, Owais has been awarded the Business/Arts Arnold Edinborough Award for his contributions to arts leadership. He holds an MBA from Toronto Metropolitan University, completed the HBX CORe program at Harvard Business School, and was selected for the Impact Program for Arts Leaders at Stanford Graduate School of Business. Owais consults regularly for culture organizations including the National Arts Centre and Toronto Arts Council.
Sabreena Delhon
CEO, Samara Centre for Democracy
Sabreena Delhon is the CEO of the Samara Centre for Democracy, a non-partisan registered charity with a mission to realize a resilient democracy with an engaged public and responsive institutions. For over a decade, she has directed multi-stakeholder research and outreach initiatives that have made an impact across justice, academic, and non-profit sectors.
Sabreena has appeared as an expert witness before Parliamentary committees on matters relating to political participation and frequently provides commentary about democratic engagement for various media outlets such as The Globe & Mail, CBC, and the Toronto Star.
She is the host of Humans of the House, an award winning podcast that explores the lived experience of former Members of Parliament. Sabreena is a Senior Fellow at Massey College and is a recipient of the Coronation Medal for service to Canada. She holds a BA in Sociology from the University of Alberta and an MA in Sociology from Dalhousie University.
Anna Keenan
Climate advocate
With degrees in physics, economics, and environmental studies, Anna Keenan worked as a professional campaigner on climate change and energy politics from 2007 to 2022. She worked for Greenpeace International in Europe for five years before moving to Canada, where she spent four years with the international climate-justice campaign group 350.org. On PEI, she has run as a candidate in 2 federal elections, and taken leadership roles in advocacy and campaigning for proportional representation, climate action, and bike-friendly communities.
In 2023, she shifted into nonpartisan roles in municipal government, first with Victoria-by-the Sea, and later the City of Charlottetown as Sustainable Transportation Officer, to expand public transit and active transportation options. In PEI’s arts sector, Anna was a swing dance teacher with Downstreet Dance for five years, and served as the first board chair for the River Clyde Pageant. She is also regularly spotted on stilts, either in the Pageant or community parades.
Kim Griffin
Director of Sustainability & Corporate Affairs, Maritime Electric
Kim Griffin has worked at Maritime Electric for over 15 years and led her team through many weather events. She has helped PEI through major storms including, most recently, Hurricane Fiona. She sees firsthand the impacts of climate change and the increasing intensity and frequency of extreme weather events. She also led Maritime Electric’s new climate adaptation strategy. An active community volunteer, she is currently a director with the Canadian Chamber of Commerce, Queen Elizabeth Hospital Foundation, and Greater Charlottetown Chamber of Commerce as past president.
She was one of six Canadians in 2024 awarded the inaugural Electricity Canada Face of the Industry National Award for leadership. She has also been awarded the Queen Elizabeth II Platinum Jubilee Medal for public service, and named one of Atlantic Canada’s Top 25 Most Powerful Women. She holds a Bachelor of Public Relations and a Master of Business Administration with distinction.
Melissa Peter-Paul
Award-winning quill artist, Abegweit First Nation
Melissa is a Mi’kmaw woman from Abegweit First Nation, located on Epekwitk (PEI). Growing up, she was immersed in cultural teachings and was surrounded by a family of basket makers. Melissa began her artistic expression at a young age, making regalia and beadwork, and is skilled in both traditional and contemporary styles. Her exposure to other Mi’kmaq artforms led her to quillwork, a traditional skill in which the ancestors of her maternal grandfather excelled.
Melissa was accepted into an apprenticeship with Mi’kmaq Quill Art in 2015. Her training was grounded in the traditional insertion technique and utilized the study of both cultural teachings and formal material culture resources that were available through historic publications and museums.
Quillwork is created by inserting porcupine quills, either dyed or kept natural, into birchbark. The pieces are then edged with quills, sweetgrass or spruce root. Over the course of her apprenticeship, Melissa learned techniques and protocols related to harvesting raw materials, as well as the complex geometry of traditional design work. Upon completion of her apprenticeship, Melissa has been integral in establishing a community of skilled quill workers. This community of quillers seeks to expand awareness of the artform and recently began working on collaborative projects.
Melissa launched her professional career as a Mi’kmaq quill artist with her first solo exhibit at Receiver Coffee presented by This Town is Small in Charlottetown in 2019. She is heavily influenced by 20th century Mi’kmaw quillwork, and she is supported in her harvesting efforts by her family. Melissa is proud to be passing the art on to her two sons and the broader community.
Stephanie Arnold
PEI Climate Specialist, CLIMAtlantic
Stephanie Arnold works alongside communities, organizations, sectors, and governments on using adaptation pathways, building accountability in adaptation, and bringing together different perspectives to address climate, environmental, and social challenges. Born in Hong Kong when it was an active British colony and currently living uninvited on unceded and unsurrendered Mi’kmaw Homelands in Epekwitk, they strive to center reconciliation, community-building, and systems change in their work.
Centering disruptive kindness has given meaning and purpose to their chemical engineering degree, MBA, and ongoing PhD studies. L’nuey awarded Stephanie the Reconciliation Recognition Award in 2024 for their work in challenging climate change funders, collaborators, experts, and practitioners to scrutinize whether their efforts reinforce settler-colonial power imbalances or support Treaty Rights, Truth, and Reconciliation.
Dr. Eberhard Renner
Former head of the liver transplant program at Toronto General Hospital, retired professor of medicine at the University of Manitoba, artist
After completing medical school and training in internal medicine and gastroenterology / hepatology, Dr. Renner worked as a clinician-researcher and gradually moved into academic and health system leadership positions, initially in his home country (Switzerland), interrupted by a couple of years in the U.S. (UCSF), and since 2004 in Canada, where he served as director GI transplantation at UHN Toronto (2007-2016), then, until his retirement in 2024, as the H.E. Sellers Professor, Head Department of Medicine at UofM, and provincial specialty lead – internal medicine with Shared Health, MB’s provincial health agency.
Dr. Renner has published over 200 peer-reviewed manuscripts and held numerous national grants. He served in various roles in multiple professional organizations in Switzerland, Canada, and internationally. He was an associate editor of the high impact journal Transplantation (2015-2024), is a corresponding member of the Swiss Academy of Medical Sciences, and recipient of the Distinguished Service Award of the Canadian Association for the Study of the Liver (CASL).
Dr. Renner had started painting at a young age and took art classes during his high school years. The arts took second place during most of his career as academic physician. In 2011, he resumed painting more regularly, initially as a balance to his professional life, more full-time since his retirement from medicine. Using mostly acrylics, he explores dynamic visual interactions between colors and abstract shapes. He is represented by Soul Gallery Inc., Winnipeg, MB; works can be found in private collections in Canada, the US, and Europe.
Dr. Jillian Horton
Award-winning medical educator, writer, musician, and podcaster
Dr. Jillian Horton is an associate professor of internal medicine at the Health Sciences Centre and the University of Manitoba. She directs the Alan Klass Health Humanities Program, is an associate chair in the Department of Medicine, and is a former associate dean of undergraduate student affairs. Dr. Horton has completed a longitudinal internship in teaching mindful practice (at the University of Rochester) and chief wellness officer training at Stanford University.
Her writing about medicine and medical culture appears regularly in the LA Times, the Globe and Mail, the Toronto Star, Maclean’s, and a variety of American news outlets by syndication. She is also a contributor to CBC’s Ideas. She is a sought-after speaker and thought leader on the subject of physician health, both nationally and internationally. Her award-winning first full-length book, We Are All Perfectly Fine: A Memoir of Love, Medicine and Healing was released by HarperCollins Canada in 2021 to critical acclaim and is a national bestseller. It is currently being adapted for television by a major network. She was recently awarded an honorary doctorate by Wilfred Laurier University for her work translating the experience of health care workers for the public.
Dr. Megan Miller
Palliative care and MAiD physician, former chief physician recruiter for P.E.I.
Dr. Megan Miller is palliative care physician who has been involved with the Medical Assistance in Dying (MAiD) Program in PEI since it became a legal option in Canada in 2016. Megan has also worked in the role of chief physician recruiter for the Medical Society of PEI. In both her clinical and leadership roles, she has witnessed how important the arts are in creating cultural richness in our communities, in enhancing resilience and humanity in the practice of medicine, and the incredible impact of the arts when we are facing our most challenging life circumstances. When not at work, Megan is happiest spending time with her husband and five children (three humans and two dogs).