Donovan Woods

DONOVAN WOODS

“I write about them again and again, just hoping people will still be interested,” the acclaimed Canadian singer-songwriter says. “So the title is poking fun of myself, that I’m theoretically this big sad guy who keeps getting dumped and writing fucking songs about it.”

Or you could think of it this way: Woods’ deep curiosity about the human condition is why we so clearly hear our own stories in his. The details differ, the characters change, but at their core, Donovan Woods songs are for and about everyone.

That’s particularly apparent on his new EP, which will be released March 18, 2022. Trying to capture more of an “undone” quality, Woods wanted his latest songs to “get back to the feeling that my early recordings had.” You hear that in the spare, subtle ache of “No Time Soon,” an acoustic monologue Woods describes as “the story of my whole life.”

“These are smaller, less polished songs than the ones I’ve been putting out recently,” says Woods, winner of the 2019 Juno Award for contemporary roots album (for Both Ways) and whose global streams have surpassed 210 million.

Still, Big Hurt Boy brims with some of the luminous production touches Woods has been adding to this repertoire lately. He wrote the album opener, “I Won’t Mention It Again,” on banjo, which fades into a spectral backdrop of electronic textures and layers of lush harmonies.

A co-write with Peter Groenwald, “Leave When You Go” simmers with an R&B vibe backed by sensuous vocals from indie-pop artist Ralph. “A Picture of Us Smiling at a Party Five Years Ago,” which reunites Woods with Katie Pruitt (who co-wrote and sang on Woods’ “She Waits for Me to Come Back Down”), untangles how our memories are often preserved by photos.

“It’s about nostalgia, which is just a memory that doesn’t have any of the stress or dread or anxiety that the real-time experience had,” Woods says. “I Hope You Change Your Mind,” co-written with David Hodges, is such an understated tearjerker that you don’t even realize the relationship is over until the last line.

Big Hurt Boy is the follow-up to 2020’s Without People, Woods’ celebrated album he made in isolation at the height of the pandemic. Whereas those songs were recorded in a makeshift studio at his Toronto home, with collaborators working remotely, his latest release harnesses the electricity of a roomful of musicians laying down tracks live in the studio, a first for Woods.

Released on Wood’s Meant Well label, Without People was acclaimed as “a nuanced experience” (American Songwriter) and a thoughtful exploration of “fleeting interpersonal moments now under the microscope” (NPR/KUTX).

So much of that album’s allure was rooted in how Woods connected with his collaborators and imparted the intimacy so many of us craved during a global health crisis. It was so successful, in fact, that it led to a deluxe edition of Without People in 2021.

As an in-demand songwriter whose work has been recorded by the likes of Tim McGraw (“Portland, Maine”) and Lady A’s Charles Kelley (“Leaving Nashville”), Woods has been venturing beyond the singer-songwriter scene where he first cut his teeth. Equally at home in folk and country, he has worked with songwriters such as Tom Douglas, Lori McKenna, Brandy Clark, Ashley Monroe, Dustin Christensen, Femke Weidema, Steve Robson, and Ed Robertson
(Barenaked Ladies).

Woods’ featured vocals on Dabin & Nurko’s “When This Is Over” veered into anthemic dance
pop, and yet Woods still sounded right at home. On “IOWA,” Woods found a kindred spirit in
Grammy Award winning singer-songwriter Aoife O’Donovan for a pastoral meditation on
dreaming of a place you know doesn’t exist.

Each of these collaborations has highlighted a budding truth about Woods: As respected as he is
as a solo artist, he’s evolving and upending our expectations of how his music sounds. His songs
have grown more dimensional, emboldened by new sonic landscapes, reminding us that classic
songwriting transcends genre.

Join us at the Confederation Centre of the Arts for an extraordinary night with Donovan Woods, a true Canadian gem. It’s not just a concert, it’s a celebration of music, storytelling, and shared human experiences with one of Canada’s finest and most versatile talents. Prepare to be moved!

Show Opener: KELLIE LODER

There is something truly captivating about Juno award nominee, Kellie Loder. It can be found in their poignant and timely lyrics set against magical melodies. It can also be found in the singer/songwriter’s electrifying live shows, inspiring profound emotion in listeners. You’ll cry, you’ll laugh, and you’ll tell your friends about it. CBC q’s Tom Power proclaims “If I were a betting man, I’d bet the house on Kellie Loder being the next big thing out of Newfoundland”. 

Loder is the first place runner-up of City TV’s Canada’s Got Talent where they triumphantly wowed audiences and judges with their outstanding mesmerizing performances. Included in their long list of accolades are 2022 ECMA nominations for Songwriter of the Year as well as Fan’s Choice Entertainer of the Year. They were named the 2021 Ron Hynes Songwriter of the Year at the Music NL Awards and received a 2021 ECMA Award for their groundbreaking music video and compelling song, “Molded Like A Monster”. 

Their 2019 single “Fearless”, received high praise and was chosen as the soundtrack behind CBC’s 2021 Tokyo Olympics coverage as well as the soundtrack behind an IMAX Trailer for Superpower Dogs, narrated by Chris Evans (Captain America/Avengers). Their continued accomplishments and hard work has placed them on the same performance stages as Melissa Etheridge, Steven Page, Paul Brady, Joel Plaskett, Alan Doyle, and more. 

Anyone who has heard Loder or watched them perform knows one thing is certain: they’re a towering talent about to explode on the world stage.