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Major Touring Exhibition ‘The Drive’ Pulls Up at the CCAG

-New exhibition centred on famed Tom Thomson painting examines representations of landscape and resource development-

Opening this weekend at the Confederation Centre Art Gallery (CCAG) is a new touring exhibition from the Art Gallery of Guelph, entitled The Drive.

Anchored by Art Gallery of Guelph’s major Tom Thomson canvas of the same title, The Drive situates the work of Thomson, the Group of Seven, and their peers in relation to contemporary Indigenous and Canadian artists in order to highlight the complexity of the representation of landscape – particularly as it relates to the history of resource development.

Thomson’s The Drive (1916-17) is considered to be among the artist’s most significant paintings, featuring the logging industry in Algonquin Park, a common subject for the artist and one often overshadowed by his paintings of untouched landscapes such as The Jack Pine (1916) and The West Wind (1917).

Based on a sketch produced in the summer of 1916 when Thomson was employed as a fire ranger in the park, the canvas depicts a massive flow of timber emerging from a dam at Grand Lake near Achray in Canada’s oldest provincial park. The logs being guided through a narrow gap in the dam were headed towards the Ottawa River.

The Drive painting captures the intensity of logging in a park that had already been widely clear-cut in Thomson’s day. The industry was the primary shaper of the landscape the artist painted and made famous, defining this landscape as post-industrial, not the untouched wilderness it is so often described as.

A.Y. Jackson’s depictions of mining settlements and J.E.H. MacDonald’s agricultural scenes and views made accessible by rail are contextualized within the exhibition.

Complemented by the work of Indigenous and Canadian artists including Sonny Assu, Christi Belcourt, Bob Boyer, Edward Burtynsky, Bonnie Devine, Robert Houle, Isuma, Sarah Anne Johnson, Daphne Odjig, Kelly Richardson, Don Russell, Frank Shebageget, Peter von Tiesenhausen, and Lawrence Paul Yuxweluptun, the exhibition documents the effects of colonization and changing relationships to the land through creative interventions that advance ecological sustainability and environmental justice.

The Drive opens Saturday, January 23, one of three new exhibitions opening this month at the CCAG. Curated by Shauna McCabe and Brian Meehan, this circulating exhibition is organized by the Art Gallery of Guelph with the support of the Department of Canadian Heritage, and in conjunction with Confederation Centre Art Gallery, Museum London, and Thunder Bay Art Gallery.

 

Image cutlines: [1] Tom Thomson, The Drive, 1916–17, oil on canvas, 120 x 137.5 cm. Purchased by the Ontario Agricultural College with funds raised by students, faculty and staff, 1926, University of Guelph Collection at the Art Gallery of Guelph.

[2] Peter van Tiesenhausen, Temple of 1000 Suns, 2011, digital video, 5:47 mins. Collection of the artist

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